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| DOI | 10.6018/imafronte.481851 |
| BECOME NOTHING (NICHTESNIT WERDEN): THE GRAVE-CAMERA AND THE NIGHT LIGHT IN THE TURIN HORSE (2011, BELA TARR) | |
| Gonzalo Carbo, Antoni | |
| 通讯作者 | Carbo, AG (corresponding author)，Univ Barcelona, Barcelona, Spain. |
| 来源期刊 | IMAFRONTE-REVISTA DE HISTORIA DEL ARTE
 |
| ISSN | 0213-392X |
| EISSN | 1989-4562 |
| 出版年 | 2022 |
| 期号 | 29 |
| 英文摘要 | The documentary film Bela Tarr, I Used to Be a Filmmaker (2013, directed by Jean-Marc Lamoure) shows how the great Hungarian filmmaker Bela Tan (b. 1955) uses the camera at ground level (as Yasujiro Ozu), and even sunk in a hole made on purpose to shoot the sequence of the hill of A torinoi lo (The Turin Horse, 2011), his later film. The purpose of this article is to highlight this fact as a form of symbolic death, the camera-tomb, an ascetic exercise of the ''bond with the grave'', since the whole film is a ''reproducing life'', in the words of the filmmaker himself, from the end, typified by the omnipresent wind of the Absolute (the whistle of Silent), the desert of desolation and the black screen (vision from the 'grave, ''the deep silence'' of the voice-over), with which open and close the film. |
| 英文关键词 | Bela Tarr The Turin Horse contemporary cinema Nothingness death silence |
| 类型 | Article |
| 语种 | 西班牙语 |
| 开放获取类型 | gold |
| 收录类别 | ESCI |
| WOS记录号 | WOS:000753304100005 |
| WOS类目 | Art |
| WOS研究方向 | Art |
| 资源类型 | 期刊论文 |
| 条目标识符 | http://119.78.100.177/qdio/handle/2XILL650/376999 |
| 作者单位 | [Gonzalo Carbo, Antoni] Univ Barcelona, Barcelona, Spain |
| 推荐引用方式 GB/T 7714 | Gonzalo Carbo, Antoni. BECOME NOTHING (NICHTESNIT WERDEN): THE GRAVE-CAMERA AND THE NIGHT LIGHT IN THE TURIN HORSE (2011, BELA TARR)[J],2022(29). |
| APA | Gonzalo Carbo, Antoni.(2022).BECOME NOTHING (NICHTESNIT WERDEN): THE GRAVE-CAMERA AND THE NIGHT LIGHT IN THE TURIN HORSE (2011, BELA TARR).IMAFRONTE-REVISTA DE HISTORIA DEL ARTE(29). |
| MLA | Gonzalo Carbo, Antoni."BECOME NOTHING (NICHTESNIT WERDEN): THE GRAVE-CAMERA AND THE NIGHT LIGHT IN THE TURIN HORSE (2011, BELA TARR)".IMAFRONTE-REVISTA DE HISTORIA DEL ARTE .29(2022). |
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