Arid
DOI10.1080/09639489.2016.1171464
La Trace de Rome? Aerial Photography and Archaeology in Mandate Syria and Lebanon
Helbig, Daniela K.
通讯作者Helbig, DK (corresponding author), Univ Sydney, Unit Hist & Philosophy Sci, Sydney, NSW 2006, Australia.
来源期刊HISTORY OF PHOTOGRAPHY
ISSN0308-7298
EISSN2150-7295
出版年2016
卷号40期号:3页码:283-300
英文摘要In his 1933 book La Trace de Rome dans le desert de Syrie, Antoine Poidebard, the Jesuit missionary, French spy, colonial servant, air force officer, and archaeologist, published 219 aerial photographs of archaeological remnants in the Syrian steppe, which he identified as pertaining to the ancient Roman limes. This article examines Poidebard's photographic reconfiguration of historical time and geographical space in the context of archaeology and historiography in Mandate Syria and Lebanon. The article argues that, in the absence of the archaeological groundwork that they were allegedly meant to enable, his photographs combined the appeal of a visible past with the promise of that past's potential future as an object of investigation. In the transitory and politically precarious situation of the Mandate, the rare record constituted by these photographs upheld a projected connection between ancient Roman and modern French civilisation in the geographical region of the Mandate.
英文关键词Antoine Poidebard (1878-1955) aerial archaeology mission civilisatrice ancient Roman Near East Umayyad Syria
类型Article
语种英语
收录类别AHCI
WOS记录号WOS:000384337500005
WOS类目Art
WOS研究方向Art
资源类型期刊论文
条目标识符http://119.78.100.177/qdio/handle/2XILL650/361621
作者单位[Helbig, Daniela K.] Univ Sydney, Unit Hist & Philosophy Sci, Sydney, NSW 2006, Australia
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Helbig, Daniela K.. La Trace de Rome? Aerial Photography and Archaeology in Mandate Syria and Lebanon[J],2016,40(3):283-300.
APA Helbig, Daniela K..(2016).La Trace de Rome? Aerial Photography and Archaeology in Mandate Syria and Lebanon.HISTORY OF PHOTOGRAPHY,40(3),283-300.
MLA Helbig, Daniela K.."La Trace de Rome? Aerial Photography and Archaeology in Mandate Syria and Lebanon".HISTORY OF PHOTOGRAPHY 40.3(2016):283-300.
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