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DOI	10.1386/sfc.11.3.235_1
	Bruno Dumont's Twentynine Palms: The avant-garde as tragedy?
	Luebecker, Nikolaj
通讯作者	Lubecker, N (corresponding author), Univ Oxford St Johns Coll, Oxford OX1 3JP, England.
来源期刊	STUDIES IN FRENCH CINEMA
ISSN	1471-5880
出版年	2011
卷号	11 期号:3 页码:235-247
英文摘要	In 1970, Michelangelo Antonioni took the viewers of Zabriskie Point into the Californian desert, where he - with sympathy - explored the much-observed avant-garde correlation between transgression and emancipation. Thirty-three years later, the viewers of Bruno Dumont's Twentynine Palms (2003) were taken on a similar journey, but now Antonioni's emancipatory optimism had been replaced by self-destructive violence. This article examines the relation between Dumont's film and the avant-garde, and it argues that the power of Twentynine Palms lies in attempting to force a way from transgression to emancipation - and in failing to reach this goal.
英文关键词	Twentynine Palms Bruno Dumont avant-garde New Extremism Zabriskie Point culture of redemption
类型	Article
语种	英语
收录类别	AHCI
WOS记录号	WOS:000306911500006
WOS关键词	FRENCH CINEMA
WOS类目	Film, Radio, Television
WOS研究方向	Film, Radio & Television
资源类型	期刊论文
条目标识符	http://119.78.100.177/qdio/handle/2XILL650/360954
作者单位	Univ Oxford St Johns Coll, Oxford OX1 3JP, England
推荐引用方式 GB/T 7714	Luebecker, Nikolaj. Bruno Dumont's Twentynine Palms: The avant-garde as tragedy?[J],2011,11(3):235-247.
APA	Luebecker, Nikolaj.(2011).Bruno Dumont's Twentynine Palms: The avant-garde as tragedy?.STUDIES IN FRENCH CINEMA,11(3),235-247.
MLA	Luebecker, Nikolaj."Bruno Dumont's Twentynine Palms: The avant-garde as tragedy?".STUDIES IN FRENCH CINEMA 11.3(2011):235-247.

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