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Silence as a hermeneutic oasis of music
Veselinovic-Hofman, Mirjana
通讯作者Veselinovic-Hofman, M (corresponding author), Univ Arts, Fac Mus, Dept Musicol, Belgrade, Serbia.
来源期刊MUZIKOLOSKI ZBORNIK
ISSN0580-373X
出版年2007
卷号43期号:2页码:333-357
英文摘要This text is an attempt to point to the possibility of the moments of musical silence in a music flow and musical sound, being presented as a specific hermeneutic 'oasis' of music. Musical silence is considered here primarily as compositionally shaped segments where silence is embodied by means of sound. And where the stillness of the sound state of the musical silence breaks into another space: the space of the unintentional, which actually stimulates associative and cognitive paths. It concerns a specific 'suspension' space that offers,some more time and place' for various streams of emotion and thoughts, for their 'authentication' and justification; for establishing and 'specifying' narratives, and even renouncing them. This thesis is elaborated here on the basis of three compositions which belong to the Serbian music of the 1990s. These are: The Abnormal Beats of Dogon for bass clarinet, piano, mouth harmonica, percussion and live electronics (1991) and I have not spoken for alto saxophone, bass-mouth harmonica, actor-narrator and mixed choir (1995) by Zoran Eric and Nocturne of the Belgrade Spring 1999 AD for chamber ensemble, live electronics and audiotape (1999) by Srdan Hofman.
英文关键词musical silence temporal-spatial unity phenomenology of the space of music hermeneutic 'suspension chord'
类型Article
语种英语
开放获取类型DOAJ Gold
收录类别AHCI
WOS记录号WOS:000256751400024
WOS类目Music
WOS研究方向Music
资源类型期刊论文
条目标识符http://119.78.100.177/qdio/handle/2XILL650/360475
作者单位Univ Arts, Fac Mus, Dept Musicol, Belgrade, Serbia
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Veselinovic-Hofman, Mirjana. Silence as a hermeneutic oasis of music[J],2007,43(2):333-357.
APA Veselinovic-Hofman, Mirjana.(2007).Silence as a hermeneutic oasis of music.MUZIKOLOSKI ZBORNIK,43(2),333-357.
MLA Veselinovic-Hofman, Mirjana."Silence as a hermeneutic oasis of music".MUZIKOLOSKI ZBORNIK 43.2(2007):333-357.
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