Arid
Orient on big screen. Notions of the desert in The Mistress of Atlantis, Morocco and the Aguafuertes marroquies
Raic, Monika
通讯作者Raic, M
来源期刊DESIGNIS
ISSN1578-4223
EISSN2462-7259
出版年2017
期号27页码:135-144
英文摘要This essay examines Roberto Ark's first texts from Morocco, the Aguafuertes marroqufes, by comparing them to the 1930ies films The Mistress of Atlantis and Morocco. By taking issue with the general "orientalist" lecture of Arles text, I will show how the filmic plots and themes are intertwined. Thus, a more complex understanding beyond the mere dichotomy of "Orient" and "Occident" is needed. I argue that we can sense in these first texts Ark's interest in processes of the world that go beyond a particular nation or culture and situate his work, from the world's peripheral position that Argentina is, in a cosmopolitan realm.
英文关键词Argentine literature and film of the thirtees Roberto Arlt Orientalism desert
类型Article
语种西班牙语
开放获取类型DOAJ Gold
收录类别ESCI
WOS记录号WOS:000449303200013
WOS类目Linguistics
WOS研究方向Linguistics
资源类型期刊论文
条目标识符http://119.78.100.177/qdio/handle/2XILL650/332616
作者单位[Raic, Monika] Univ Innsbruck, Dept Literatura Comparada, Innsbruck, Austria
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Raic, Monika. Orient on big screen. Notions of the desert in The Mistress of Atlantis, Morocco and the Aguafuertes marroquies[J],2017(27):135-144.
APA Raic, Monika.(2017).Orient on big screen. Notions of the desert in The Mistress of Atlantis, Morocco and the Aguafuertes marroquies.DESIGNIS(27),135-144.
MLA Raic, Monika."Orient on big screen. Notions of the desert in The Mistress of Atlantis, Morocco and the Aguafuertes marroquies".DESIGNIS .27(2017):135-144.
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