Arid
DOI10.1386/jcp.2.1.21_1
Doorknob in the desert: Agnes Martin's queer becoming
Cook, Roger
通讯作者Cook, R
来源期刊JOURNAL OF CONTEMPORARY PAINTING
ISSN2052-6695
EISSN2052-6709
出版年2016
卷号2期号:1页码:21-38
英文摘要Alongside recent knowledge of her schizophrenia, Agnes Martin's lesbianism and its relation to her extraordinary achievement as an artist needs to be better understood. Anterior to activist Monique Wittig's infamous 1978 public statement that 'lesbians are not women' (Wittig 1993: 32), in 1973 Martin (refusing compulsory heterosexuality's sex and gender dimorphism) humorously protested that she 'was not a woman but a doorknob' (Johnston 1998: 300). Ultimately, Martin's liberation was a liberation through identification with non-human being: a painterly practice of queer becoming that can be thought of as the Foucauldian creation of life as a 'work of art' - a desubjectivization of the self or 'death of the subject' enacting a Barthesian 'desire for the neutral' (Barthes 2005) to become one with the vitality and vibrancy of matter itself.
英文关键词transformational object same-sexuality queer becoming care of self desubjectivization desire for the neutral
类型Article
语种英语
收录类别ESCI
WOS记录号WOS:000410546500004
WOS类目Art
WOS研究方向Art
资源类型期刊论文
条目标识符http://119.78.100.177/qdio/handle/2XILL650/331909
作者单位[Cook, Roger] Royal Acad Sch, London, England
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Cook, Roger. Doorknob in the desert: Agnes Martin's queer becoming[J],2016,2(1):21-38.
APA Cook, Roger.(2016).Doorknob in the desert: Agnes Martin's queer becoming.JOURNAL OF CONTEMPORARY PAINTING,2(1),21-38.
MLA Cook, Roger."Doorknob in the desert: Agnes Martin's queer becoming".JOURNAL OF CONTEMPORARY PAINTING 2.1(2016):21-38.
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