干旱区生态环境知识资源中心(Arid): The Tunisian Revolution and the Dialectics of Theatre and Reality

Arid

DOI	10.5965/1414573101262016380
	The Tunisian Revolution and the Dialectics of Theatre and Reality
	Carlson, Marvin
通讯作者	Carlson, M
来源期刊	URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS
ISSN	1414-5731
EISSN	2358-6958
出版年	2016
卷号	1 期号:26 页码:380-391
英文摘要	The intermingling of theatre and reality is usually an important part of the dynamics of revolution, and was certainly to be seen in the 2011Tunisian Revolution, which initiated the so-called "Arab Spring." This paper will consider three significant examples of this process, involving two recent plays, Khamsun (Fifty, written in 2006), and Yahia Yaish (Amnesia, written in 2010) created by two of Tunisia's leading theatre artists, the playwright Jalila Baccar and her director/husband Fadhel Jaibi, and the real-life performance of Abd-En-Nasser Laouini that expressed his jubilation due the fled of the dictator Ben Ali, in the almost deserted streets, due to a night time curfew, turned out to a theatrical performance, which was filmed, without his knowledge of it, and quickly reached the social networks and TV channels.
英文关键词	Tunisia revolution theatre art-life
类型	Article
语种	葡萄牙语
开放获取类型	DOAJ Gold
收录类别	ESCI
WOS记录号	WOS:000385644300025
WOS类目	Theater
WOS研究方向	Theater
资源类型	期刊论文
条目标识符	http://119.78.100.177/qdio/handle/2XILL650/331638
作者单位	[Carlson, Marvin] Univ Cidade Nova Iorque, Ctr Grad, Teatro & Literatura Comparada, New York, NY 10017 USA
推荐引用方式 GB/T 7714	Carlson, Marvin. The Tunisian Revolution and the Dialectics of Theatre and Reality[J],2016,1(26):380-391.
APA	Carlson, Marvin.(2016).The Tunisian Revolution and the Dialectics of Theatre and Reality.URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS,1(26),380-391.
MLA	Carlson, Marvin."The Tunisian Revolution and the Dialectics of Theatre and Reality".URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS 1.26(2016):380-391.

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