干旱区生态环境知识资源中心(Arid): BIBLICAL AND LITERATURE CONTEXT IN ANDREY PLATONOV'S PLAY "THE VOICE OF THE FATHER"

Arid

DOI	10.17223/19986645/31/9
	BIBLICAL AND LITERATURE CONTEXT IN ANDREY PLATONOV'S PLAY "THE VOICE OF THE FATHER"
	Nina, Hryashcheva P.
通讯作者	Nina, PH
来源期刊	VESTNIK TOMSKOGO GOSUDARSTVENNOGO UNIVERSITETA FILOLOGIYA-TOMSK STATE UNIVERSITY JOURNAL OF PHILOLOGY
ISSN	1998-6645
EISSN	2310-5046
出版年	2014
卷号	31 期号:5 页码:119-133
英文摘要	The main event of the play "The Voice of the Father" (1937-1938) is the son's dialogue with his deceased father at the grave of the latter. The author places the dialogue in the hierarchically different contexts (socio-political, biographical, Old Russian, spiritual-literary, biblical). The article deals with two contexts: the spiritual-literary, connected with the spiritual prose of the 1850s which found its fullest expression in literary works of St. Ignatius Brianchaninov, and the biblical, previously researched by E. Nyman, A. Kharitonov, H. Gunther, V. V'yugin, but requiring clarification in connection with the recent publication of Platonov's letters. The comparison of the play with Brianchaninov's lyrical miniature "Voice of Eternity" showed that both artists use the tradition of "silent speech" dating back to "spiritual silence, ascetic silence..." (A. Dyrdin). In Brianchaninov's work this tradition freely correlates with the literary word. Platonov, being a Soviet writer, forced to "veil" the image forming importance of the tradition of silence by its transformation into the "poetics of duality," as seen in the extensive remark before the play. On the level of the symbolic content the motif of silence forms the structure of both texts, but the semantic content varies: Brianchaninov's "silent speech" is a sign of the Orthodox resurrection ritual, Platonov's "silence" is rather the very substance of the depicted world as the moral result of what is happening in it. The analysis of the second context associated with the semantics of allusions to the biblical texts shows that Platonov skillfully covers the biblical style layer with the "clothes" of the elegiac (K. Kogut). Poetics of the "weak force" allows the playwright to make the play good for censorship, to communicate to the readers / viewers the author's understanding of the tragedy the country is experiencing as the destruction of the spiritual vertical (Son - Father - Heavenly Father). The genre of the allusive elements is mainly requiem chants. Finally, Platonov's autodialog with his early works shows ideological shifts and reveals the general direction of the artistic thought. The comparison of the play with an early story "The Star Desert" shows that Platonov's "ideals" are not so "constant": Fedorov's resurrection of the dead "freezes" in the play as the original impulse and transforms into the category of memory as an important first principle of spirituality.
英文关键词	Platonov biblical context literature context drama "The Voice of the Father"
类型	Article
语种	Russian
收录类别	ESCI
WOS记录号	WOS:000441087000009
WOS类目	Language & Linguistics
WOS研究方向	Linguistics
资源类型	期刊论文
条目标识符	http://119.78.100.177/qdio/handle/2XILL650/330971
作者单位	[Nina, Hryashcheva P.] Ural State Pedag Univ, Ekaterinburg, Russia
推荐引用方式 GB/T 7714	Nina, Hryashcheva P.. BIBLICAL AND LITERATURE CONTEXT IN ANDREY PLATONOV'S PLAY "THE VOICE OF THE FATHER"[J],2014,31(5):119-133.
APA	Nina, Hryashcheva P..(2014).BIBLICAL AND LITERATURE CONTEXT IN ANDREY PLATONOV'S PLAY "THE VOICE OF THE FATHER".VESTNIK TOMSKOGO GOSUDARSTVENNOGO UNIVERSITETA FILOLOGIYA-TOMSK STATE UNIVERSITY JOURNAL OF PHILOLOGY,31(5),119-133.
MLA	Nina, Hryashcheva P.."BIBLICAL AND LITERATURE CONTEXT IN ANDREY PLATONOV'S PLAY "THE VOICE OF THE FATHER"".VESTNIK TOMSKOGO GOSUDARSTVENNOGO UNIVERSITETA FILOLOGIYA-TOMSK STATE UNIVERSITY JOURNAL OF PHILOLOGY 31.5(2014):119-133.

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