Arid
DOI10.1163/15685292-01801010
An Artist Photographs the Visual Witness of Grave Images
Hettinga, Kathy T.
通讯作者Hettinga, KT
来源期刊RELIGION AND THE ARTS
ISSN1079-9265
EISSN1568-5292
出版年2014
卷号18期号:1-2页码:184-221
英文摘要I have always been drawn to the wildness and beauty of the rural cemeteries in Southern Colorado where I grew up. Widowed at a young age, I decided to photograph all of the cemeteries in the San Luis Valley-burial plots, private and public, Pentecostal, Penitente, Protestant, and Catholic-to explain to myself and to others the mysteries of death, and faithful hope. I found a shared sorrow in the grave images in the cemeteries, and I was comforted. I then sought to offer comfort to others through my art-photographs, digital prints, and artist's books. This article describes my experiences of the grave markers. I have coined the term "grave images," at the heart of which is a simplicity that creates a powerful expressive form that carries the Holy. The grave artisans of the San Luis Valley in their myriad approaches-in sandstone carving, in concrete forming, in their alchemy of transforming ordinary materials into extraordinary ones-show their adept ability to visualize and transmit the Divine into material form. The mountain desert cemeteries are a sacred space filled with objects that reflect Divine realities and remind us of what lies beyond our prosaic life in this physical world.
英文关键词grave images cemeteries San Luis Valley folk art religious life photography Holy Week
类型Article
语种英语
收录类别ESCI
WOS记录号WOS:000211556700009
WOS类目Religion
WOS研究方向Religion
资源类型期刊论文
条目标识符http://119.78.100.177/qdio/handle/2XILL650/330651
作者单位[Hettinga, Kathy T.] Messiah Coll, Design Serv, Mechanicsburg, PA 17055 USA
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GB/T 7714
Hettinga, Kathy T.. An Artist Photographs the Visual Witness of Grave Images[J],2014,18(1-2):184-221.
APA Hettinga, Kathy T..(2014).An Artist Photographs the Visual Witness of Grave Images.RELIGION AND THE ARTS,18(1-2),184-221.
MLA Hettinga, Kathy T.."An Artist Photographs the Visual Witness of Grave Images".RELIGION AND THE ARTS 18.1-2(2014):184-221.
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