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DOI	10.1386/pop.2.1.115_1
	The desert and the sea: The Sapphic sublime of Frederick Sommer
	Timberlake, John
通讯作者	Timberlake, J
来源期刊	PHILOSOPHY OF PHOTOGRAPHY
ISSN	2040-3682
EISSN	2040-3690
出版年	2011
卷号	2 期号:1 页码:115-127
英文摘要	This article considers tropes of fragmentation and immersion in photographs made by Frederick Sommer (1905-1999) in the 1940s. It problematizes Kant-derived conceptions of the sublime, arguing that the radical nature of Sommer's work of this period challenges dyadic relationships of the figure/ground that are associated with depictions of the Kantian sublime. Reviewing some of the writing on Sommer's work to date, the article draws upon a close reading of his photographic prints and technique in the context of his wider practice, and alongside work done over the past four decades in Literature Studies, Feminist Studies, Lesbian and Gay Studies, and Classical Studies, to propose that a model of the Sapphic sublime is appropriate to Sommer's work of this period.
英文关键词	Frederick Sommer landscape photography Sappho sublime
类型	Article
语种	英语
收录类别	ESCI
WOS记录号	WOS:000217811500008
WOS类目	Art
WOS研究方向	Art
资源类型	期刊论文
条目标识符	http://119.78.100.177/qdio/handle/2XILL650/329729
作者单位	[Timberlake, John] Middlesex Univ, London, England
推荐引用方式 GB/T 7714	Timberlake, John. The desert and the sea: The Sapphic sublime of Frederick Sommer[J],2011,2(1):115-127.
APA	Timberlake, John.(2011).The desert and the sea: The Sapphic sublime of Frederick Sommer.PHILOSOPHY OF PHOTOGRAPHY,2(1),115-127.
MLA	Timberlake, John."The desert and the sea: The Sapphic sublime of Frederick Sommer".PHILOSOPHY OF PHOTOGRAPHY 2.1(2011):115-127.

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