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| Beethoven's late style in his last five piano sonatas | |
| Lai, Wei-Ya | |
| 出版年 | 2009 |
| 学位类型 | 博士 |
| 导师 | Berry, David Carson |
| 学位授予单位 | University of Cincinnati |
| 英文摘要 | This document intends to explore Ludwig van Beethoven's last five piano sonatas (Opp. 101, 106, 109, 110, and 111) focusing on their innovative and experimental elements, and perceived difficulty. Through detailed historical study and theoretical analysis, this paper will discuss the common traits that reach across all five sonatas as well as their correlations with similar characteristics in the composer's other late works. Although each chapter will deal with a singular subject, such as key relationships, sonata form, variation, and fugato technique, other compositional aspects often taken for granted—e.g., lyricism, trills, modal harmony, improvisations, the use of the extreme range of the keyboard, and German markings—will also be considered. The document will conclude with a discussion of how Beethoven's thirty-two piano sonatas, particularly the last five, influenced the development of nineteenth-century keyboard composition. |
| 英文关键词 | Beethoven Ludwig van Germany Late style Piano Piano sonatas Sonatas |
| 语种 | 英语 |
| 国家 | United States |
| 来源学科分类 | Music |
| URL | https://pqdtopen.proquest.com/doc/304863615.html?FMT=AI |
| 来源机构 | University of Cincinnati |
| 资源类型 | 学位论文 |
| 条目标识符 | http://119.78.100.177/qdio/handle/2XILL650/244357 |
| 推荐引用方式 GB/T 7714 | Lai, Wei-Ya. Beethoven's late style in his last five piano sonatas[D]. University of Cincinnati,2009. |
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